In Shelley’s Ode to a Nightingale, he reminds us that “our sweetest songs are those that tell of saddest thought.” And in classical music, our greatest symphonies, quartets, sonatas and trios all give us a complex emotional universe — and the greater the music, the more likely it will contain heavy, dark, profound and difficult emotions. When it’s doing its job, a symphony is not background music.
You can go through it all: Even music that is ostensibly about joy tends to be about a kind of manic fervor or about the transcendence of the pains of mortal life — not simple happiness. Beethoven’s “Ode to Joy,” for instance, is so over the top, that sometimes you just want to say, “Boy, get a grip.”
Happiness would seem to be the province of the popular song — Feelin’ Groovy, or Irving Berlin’s Blue Skies (you should hear Duke…
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